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He turns, as though by an irrepressible impulse, to look keenly at her. His scrutiny endures only for an instant. Then he says, with admirable indifference,—,"Is that the girl who spoke to you, Geoffrey, at the tea room door?" asks Mona, with some animation.,"Sh-h-h! Sh-h-h!" replied the girl in a whisper, looking about her very much frightened, for her bull husband was sleeping close by. "Do not speak so loud. Go back and tell him to wait.","You are lying, sir," says Mona, contemptuously.,"But how did you manage to procure their good graces?",He is now speaking with some difficulty, and is looking, not at her, but at the pattern he is drawing on the soft loam at his feet.,"Now I hope you will feel less pain," she says, with modest triumph.,To the surprise of everybody, Geoffrey takes no open notice of his mother's speech. He does not give way to wrath, nor does he open his lips on any subject. His face is innocent of anger, horror, or distrust. It changes, indeed, beneath the glow of the burning logs but in a manner totally unexpected. An expression that might even be termed hope lights it up. Like this do his thoughts run: "Can it be possible that the Australian has caved in, and, fearing publicity after last night's fiasco, surrendered the will to Mona?","May I go with you?" asks he, anxiously. "These are lawless times, and I dare say Maloney's cabin will be full of roughs. You will feel happier with some man beside you whom you can trust.","How you were all laughing when we came in!" says Violet, presently: "we could hear you all along the corridor. What was it about?",The panel is as good as a toy to them. They all open it by turns, and wonder over it, and rejoice in it. But Geoffrey, taking Mona aside, says curiously, and a little gravely,—,The naivete of this speech is not to be surpassed..